Browsing: Entertainment

Interview by Paul Salfen Julian Slater, Dan Morgan, and Tim Cavagin, Sound: LAST NIGHT IN SOHO reunited the sound team behind Baby Driver, including Wright alums since Shaun of the Dead in Slater and Morgan. Like the score, the sound design cannily portrays Ellie’s burgeoning panic attack aurally, incorporating sounds from the ‘60s and lines
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Interview by Paul Salfen In this interview with Paul Salfen, Steve Vai discusses the meaning of true success and the pitfalls of ego.   STEVE VAI AND FAVORED NATIONS / MASCOT LABEL GROUP ANNOUNCE CD AND DIGITAL RELEASE OF NEW STUDIO ALBUM INVIOLATE ON JANUARY 28, LP Will Follow On March 18 Over the course of
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The Jersey Boys The Story Of Franki Valli And The Four Seasons TICKETS Interview by Paul Salfen and Drew Pearson Jersey Boys JERSEY BOYS is the behind-the-music story of Frankie Valli and The Four Seasons.  They were just four guys from Jersey, until they sang their very first note. They had a sound nobody had ever heard… and the
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Interview by Paul Salfen BAFTA has unveiled the newest UK and US Breakthrough cohort. The 36 participants were selected by a cross-industry global jury composed of leading industry professionals, including Afua Hirsch, Niamh Algar and Tim Renkow alongside Breakthrough Jury Chairs Ade Rawcliffe, Maria Ishak and Karl Stewart. Netflix supports BAFTA Breakthrough in the UK,
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[ultimate_fancytext strings_textspeed="35" strings_backspeed="0" fancytext_strings="Critics' Choice Awards - ``Best Score`` - 'THE LOST DAUGHTER'" strings_font_family="font_family:Kaushan Script|font_call:Kaushan+Script" strings_font_style="font-weight:bold;" fancytext_color="#dd3333"]Title Milan Records today releases The Lost Daughter (Soundtrack From The Netflix Film) with music by Dickon Hinchliffe (Winter’s Bone, Locke). Available everywhere now, the album features a timeless and atmospheric original score by Hinchliffe for the drama adapted
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Interview by Paul Salfen Daniel Pemberton, the mind behind the breathtaking orchestral score for Aaron Sorkin’s BEING THE RICARDOS. In something of a departure for the composer, Pemberton (Spider-Man: Into the Spiderverse, Trial of the Chicago 7) eschewed electronics and other modern elements in favor of a lush ensemble favoring Golden Age string sweeps and
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